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Collection
Cultural relics and collections are the material basis of the museum's various business activities. The scope of collection of cultural relics reflects the essential characteristics of museums, and the determination of collection scope is related to collection policy. Because of the complexity of its historical background and the multiplicity of its cultural connotation, the Puppet Manchu Palace decides its unique nature. The collection scope of domestic cultural relics should be from 1875 (the first year of Guangxu) to Puyi's death in 1967. The collection scope of Japanese cultural relics should be from the historical period of "Meiji Restoration" in 1868 to Japan's unconditional surrender in 1945. Because the Puppet Manchu Palace Museum is a museum of palace sites. Its main focus is to collect cultural relics and collections from the Puppet Manchu Palace and the period from the September 18th Incident to the recovery of the Northeast during the Eighth Five-Year Plan. According to the nature and characteristics of our institute, the scope of collection of cultural relics and collections is as follows:
01
Palace Relics and Relics of the Puppet Manchu Dynasty
As a special type of museum, the Puppet Manchu Palace Museum must collect palace cultural relics and relics. Such as Puyi, the empress, the imperial concubines, the ministers of the puppet Manchu, the original materials of the puppet Manchu palace and the life in the palace, etc. In addition, Puyi was smuggled from the Beijing Palace Museum to Tianjin, and then transported to the puppet Manchu Palace treasures, including precious calligraphy and paintings of the Tang, Song, Yuan, Ming and Qing dynasties, good copies of ancient books of the Song, Yuan and Ming dynasties, and jewelry Gold and silver jewelry, jades, porcelain and other art treasures. After the founding of the Puppet Manchuria, there were a large number of articles ordered by Japan in the Palace, as well as articles presented to Puyi by the Japanese Emperor and the Japanese government.
02
Modern Japanese Cultural Relics
Japanese imperialism's long-term occupation of Northeast China and its immigration policy accelerated the penetration of Japanese culture. A large number of Japanese arts and crafts, ceramics, painting and calligraphy, books, lacquerware, wood, silver, bronze, glass and other daily necessities poured into the Chinese market. These Japanese cultural relics have very high artistic value and collection value. They play an important role in the study of the historical culture of the Japanese nation and the cultural exchange between China and Japan. They also have important historical value and scientific research value in promoting the cultural and artistic exchanges between the two peoples.
03
Criminal Evidence Data
As a special type of museum, the Puppet Manchu Palace Museum must collect palace cultural relics and relics. Such as Puyi, the empress, the imperial concubines, the ministers of the puppet Manchu, the original materials of the puppet Manchu palace and the life in the palace, etc. In addition, Puyi was smuggled from the Beijing Palace Museum to Tianjin, and then transported to the puppet Manchu Palace treasures, including precious calligraphy and paintings of the Tang, Song, Yuan, Ming and Qing dynasties, good copies of ancient books of the Song, Yuan and Ming dynasties, and jewelry Gold and silver jewelry, jades, porcelain and other art treasures. After the founding of the Puppet Manchuria, there were a large number of articles ordered by Japan in the Palace, as well as articles presented to Puyi by the Japanese Emperor and the Japanese government.
04
Artifacts Ff  The Revolution
The scope of revolutionary cultural relics is relatively wide, mainly collecting the heroic and tenacious anti-Japanese armed forces under the leadership of the Northeast people and the Communist Party of China during the period of Japanese puppet rule, going forward and following up, fighting in blood for the survival of the nation, and resisting the relevant physical objects, photographs and documents of Japanese Colonial rule.
05
Folk Cultural Relics
Folklore, that is, folk custom, refers to the life culture created, enjoyed and inherited by the broad masses of a country or a nation. It is a kind of stereotyped habitual behavior formed in people's long-term production, life and social activities, which has become popular over time. During the period of occupation, the Northeast China inhabited the Han, Manchu, Mongolian, Hui and Korean nationalities. It collected the typical material objects and materials of their production, life, religious beliefs and artifacts. It also provided material objects and materials for the study of the development history of the Northeast nationalities and the exhibition of the customs of the nationalities. National aggression and discrimination in Northeast China provide criminal evidence.
06
Modern and representative works of painting, calligraphy, sculpture, non-hereditary inheritance and other fine arts
Undoubtedly, China's historical changes in the past 100 years are unprecedented in the world history. The collapse of the Qing government, the tangled warfare of the Northern Warlords, the establishment of the National Government, the eight-year war of resistance, the three-year civil war, the founding of New China, the "Cultural Revolution" and other historical events are really a bitter experience that has experienced many changes and vicissitudes. History has left many deep memories in the hearts of the masses. At the same time, the strong invasion of Western culture and technology has impressed the patriotic masses. Therefore, in such a historical background, the development of modern art history, its many changes, schools and profound influence, directly surpasses the development of China's art history for thousands of years. According to the basic functions of museums, it is necessary for us to collect and collect representative works of modern and contemporary art, such as calligraphy, painting, sculpture and non-hereditary inheritance.
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